درخت حوزه‌های تخصصی

In the east of Pahanvar Ray plain, we come to a fertile area (Pishwa/Varamin plain) which has provided suitable conditions for human habitation since the formation of human settlements until today. Due to the location of this plain in the north of the central desert and the border between the two cultural domains of the northeast and the center, the environmental condition and suitable altitude, which are the main factors for the formation of permanent settlements, and the possible existence of extra-regional connections of this area with the neighboring areas, a wide survey was conducted in this area of ​​the plain. It was concluded that during this archaeological investigation, 61 ancient sites from the Sassanid era were found in the east of Varamin and south of Peshwa. It is most likely that Varamin is considered a part of Ray State and based on the available evidence, it is possible that it is the main center of Ray State as well. According to historical texts and archeological data, the state of Ray was one of the important areas of human settlement during the Sassanid period in Iran. Historical texts mention Ray in the Sassanid period, and the number of sites attributed to the Sassanid period in the geographical area of ​​Varamin has not been found until today. Despite this, based on the prominent geographical location of the Varamin region and the references of the historical texts to the Ray state, this region was probably one of the important regions of the historical period in Iran. In the present article, an attempt has been made to describe the historical geography of Ray State in the Sassanid period, while using the archaeological data of the Sassanid period of Varamin, to draw a part of the archeology and historical geography of Varamin in the Sassanid period.

The Safavid era in Iran coincides with the growth of international trade relations and interaction with European East India companies. The Safavid kings wanted to establish relations with the East India Company, especially the Dutch East India Company, for various reasons. The Dutch were able to surpass their European counterparts in their dealings with the Safavid government by using economic, commercial and sometimes political initiatives, and what kept the Dutch ahead of their other European rivals was the commercial approach of the Dutch ambassadors and political representatives in their dealings with Iranian representatives and officials, the Dutch ambassadors and political representatives tried to spend on commercial activities and the opening of trade House in the ports of the Persian Gulf, so that they could monopolize the trade of the East. Accordingly, the purpose of this study is to study the role of the ambassadors of Iran and the Netherlands in the formation and consistency of political-economic relations between the two countries. The research method in this article is descriptive-analytical. The findings of the research show that the expansion of Iran's foreign relations with the Dutch government during the reign of Shah Abbas and the gradual access of the political representatives of this government to Iran, led to the prosperity of Iran's foreign trade. Iran's geographical position, was a suitable arena in which ambassadors and businessmen of different countries could pursue their trade goals in the shortest time and at the lowest cost.

The wave scroll motif is among the designs that, nowadays, are mainly seen in rural and nomadic carpets in a wide geographical area, from Central Asia to Anatolia and the Caucasus, as well as Iran. Historically, this motif originates from Hellenistic art and is still used in oriental carpets today. The purpose of this article is to find out how and the possible time of the arrival of this pattern from Greek art to Iranian carpets using archaeological evidence, including old museum carpets. Using valuable motifs of Sassanian Carpets, this article tracks the transfer of this motif from the Hellenic-Byzantine civilization to the art of pre-Islamic Iran and in various artistic disciplines such as pottery and textiles to clarify this motif’s long journey from pre-Islamic art to the Islamic period. This study shows that the motif was most likely known since the Seleucid period in the Persianate world, but the most evidence of it can be seen in the art of the Parthian and Sasanian periods, furthermore the findings show that this motif was used at least from late Parthian era on the border of hand-made textiles like carpets.

Studying and understanding the social, economic, and political structures of Iron Age communities is a significant aspect of archaeological research of this period. Until now, much of the archaeological research on the Iron Age in Iran has focused largely on the typological study and comparison of findings from cemetery excavations, with less attention given to the study and reconstruction of the various aspects of the social, economic, and political structures of communities from this period. Most researchers to date have regarded the people of the Iron Age in Iran as communities lacking organized administrative and political structures, and based on the limited number of settlement sites, have described them as nomadic herders. However, the study, interpretation, and analysis of findings from settlement sites of this period in Central Iran have revealed new perspectives on the presence of socio-economic and political institutions and organizational structures. The discovery of a piece of grey pottery with a cylinder seal impression at Chaltasian Tepe, Varamin, alongside other evidence from significant and large settlement sites of the Iron Age, provides us with evidence of socio-economic institutions during the Iron Age

Studying the elemental composition of coins does not only provide chemical information of the legal tender but provides insight into the manufacturing process, history, and economic state of the country during the minting year of the coins. The elemental composition of some Sassaian coins spanning from the years 582 to 591 AD have been analyzed using PIXE at the Bubansor physical lab of India and metallic the elements Ca, Fe, Cu, Ag, Au, and Pb were observed. The result The study of elemental composition of silver coins in Iran under the Sassanian period can help to explain the locations and identification of coins' mines. By determining not only major but also minor and trace element concentrations, the coin's compositions were used to deduce information both on the economic conditions under the different reigns. The aim of this work is to study the chemical composition of some Hormizd IV coins to show the economic situation and find any relation between the mines used for the extraction of silver and the actual silver coins minted at that time. Using the PIXE technique, the show that Hormizd IV king used almost Cerussite mines for their coins and are brought to light valuable information about the economy of the time.

In archaeological finds, seals are generally considered as one of the most important data bearing important economic, political and even artistic information of relevant time periods. Moreover, the iconography of seals plays an informative role to explore the main characteristics of seals or sealing in order to better understand the social, economic or even the administrative contexts of the societies to which they belonged to. Different styles in the different space and times are known in terms of pictography that can help researchers understand the characteristics of a time period better in the absence of sufficient information. The ancient city of Susa with a rich collection of seals related to different historical-cultural periods is one of the most important ancient sites in Iran which have been used as clues to decipher or interpret that can guide researchers in the stylistics and iconology of seals from its neighboring areas. The cylindrical seal No. 1841 has been registered in the catalogue of the National Museum of Iran with an “unknown” location. The similarity of the image engraved on this seal to those found on seals obtained from Susa was the reason the author came up with this article in order to introducethe seal and specify iconography and stylistics and finally its date and origin with a comparative study. The present study tries to answer the research questions: “What style and time period can be considered for the iconography of the cylindrical seal in the National Museum?” and “Is it possible to prove that it belongs to the city of Susa according to the iconography of the image of the relevant seal?” Studies that have been conducted with the comparative method and with the approach of the image analysis, the IVA style of Susa is considered for it leading to the conclusion that this seal probably belonged to Susa itself.

Antiquarianism is one of the significant elements of Iranian nationalism that emerged through archaeological research and exploration by Iranian scholars and Western archaeologists in the realm of Iran's history and culture. It provided a fresh definition of Iranian history and identity, playing a crucial role in the construction of modern Iranian nationhood during the era of Reza Shah. Nationalist antiquarianism had a lasting impact on cultural, literary, and even political aspects, transforming the understanding of Iranian history and identity. As an intellectual and cultural movement, antiquarianism aimed to uncover the unknown aspects of Iran and its people beyond recorded history. Its purpose was to revitalize the material and spiritual culture of the historical Iranian nation, turning it into a source of pride and a foundation for constructing a new government-nation with a rich historical civilization. In this context, Reza Shah leveraged the Iranian antiquarian movement to construct a modern Iranian government-nation, utilizing the deep-rootedness of the monarchy system in pre-Islamic Iranian history as a legitimate link, presenting it as a legitimate pole against the backdrop of Islamic Iranian history. This research seeks to answer the question of the function of antiquarianism in the development of Iranian nationalism during the reign of Reza Shah, employing a descriptive-analytical method. It explores the coordinates of Iranian nationalist antiquarianism and investigates why Iranian nationalists conceptualized antiquarianism as the foundation of the Iranian nationalist movement.

In the 5th and 6th centuries A.H., glassmaking in the Islamic era reached its peak of growth and prosperity in Islamic lands and was accompanied by innovations in the field of construction and decoration, which became the inspiration for glassmaking in the world after this period. This article aims to introduce and categorize innovations in the methods of producing and decorating glass products from the fifth and sixth centuries of Hijra. This research is descriptive-analytical with a library method. The results show in the 5th and 6th centuries of Hijri, Islamic glassmaking underwent significant transformation and innovation, evident in four key areas: color and raw materials, form and manufacturing methods, decorations, and applications. Islamic glassmaking in Iran, Iraq, Syria, and Egypt exhibited distinct technical features compared to the preceding era, which in Iran ceased with the Mongol invasion in the 7th century AH, subsequently shifting to the glassmaking centers of Iraq, Syria, and Egypt.