حمیدرضا عبدی

Criticism of a translation evaluates its quality, accuracy, and effectiveness in communicating with the target readers. To ensure objectivity, such criticism requires a defined model. Pym’s (2007) model is based on two main concepts: directional equivalence and natural equivalence. Directional equivalence highlights the difference between the translation and the original, which is easily recognizable. In contrast, natural equivalence pertains to what different languages and cultures inherently produce within their own systems to convey a message, function, or referent. These two concepts make Pym’s model effective for broad evaluations of translations. This study applied Pym’s framework to objectively criticize the Persian translation of Melville’s (2021) Moby Dick to investigate the type of equivalence—directional or natural—the Persian translator employed. To do so, a comparison was made between the original and its translation to examine the translation techniques adopted by the translator at the micro-level, leading to the determination of his overall strategy at the macro-level based on Malone’s (1988) taxonomy of translation techniques, including matching, zigzagging, recrescence, repackaging, and reordering. The findings revealed that the translator employed all of Malone’s techniques but leaned toward those that prioritized naturalness over directionality. This approach enabled the production of a translation that maintained a close relationship between the source and target languages, ensuring effective communication with Persian readers. The findings of the current study offer pedagogical implications that may be beneficial for translation students, novice critics, and translation teachers.

The present study made an attempt to determine the translator’s choices made, both at macro and micro levels, to render humor from English into Persian. To this end, the English version of Teule’s (2008) The Suicide Shop and its Persian translation, which was made by Karamveisi (2017), was carefully investigated to extract humor and Persian translations. Then, Chiaro’s (2010) taxonomy of translation strategies, including replace the source VEH with a different instance of VEH in the TL , replace the source VEH with an idiomatic expression in the TL , ignore the VEH altogether , and leave the VEH unchanged , were applied to examine the translation strategies employed by Karamveisi to cope with humor. Karamveisi’s overall strategy for the whole text was also probed on the basis of Nida’s (1964) formal and dynamic equivalences. As the results indicated, Karamveisi was interested in the employment of the TT-oriented translation strategies rather than the ST-oriented ones that led his overall strategy at macro level to be the TT-oriented and his translation to be dynamic. Hence, Karamveisi was able to create the humorous effect on the recipients and amuse them successfully.

The aim of the present study was to investigate the acceptability of two Persian translations of Rowling's Harry Potter and the Chamber of Secrets by finding the position of each Persian translation in the literary polysystem of Iran. It also aimed to identify the most/least used translation strategies applied by each Persian translator, Morteza Madaninejad (2000) and Hamideh Ashkannezhand (2004), for translating culture-specific items (CSIs) from English into Persian. To do so, CSIs were extracted from the novel and classified based on Espindola and Vasconcellos's (2006) classification of cultural items. Then, Pederson's (2005) taxonomy of translation strategies was used to analyze the two Persian translations. The results indicated that Madaninejad preferred to use source oriented strategies. Thus, the translation he produced occupied the primary position in the literary polysystem. By contrast, Ashkannezhand had an interest in the use of target -oriented strategies. The findings have implications for translators of literary texts.

The present study aimed to examine the translatorchr('39')s solutions to the translation of conversational implicatures from English into Persian. To do so, 120 conversational implicatures were extracted from the novel the Lord of the Rings (Tolkien, 1954) and classified based on Gricechr('39')s (1975) categorization of Maxims, including quality, quantity, relevance, and manner. Mur Duenaschr('39')s (2003) taxonomy of translation strategies was used as a valid framework to find out the translation strategies the translator employed to transfer the 120 conversational implicatures. Furthermore, the most /least frequent translation strategies applied by the translator were investigated. At the end, the effectiveness of the source text (ST)-and target text (TT)-oriented strategies in transferring the same meaning of implicatures to the target text was determined. As the results indicate, the translator employed five out of six of Mur Duenaschr('39')s translation strategies, namely TL cultural cognate, SL cultural and linguistic borrowing, replacement of the SL cultural reference by explanation, TL cultural reference suppression, and TL cultural reference literal translation, of which SL cultural and linguistic borrowing and replacement of the SL cultural reference by explanation were the most/least frequently-used strategies. Moreover, the translator preferred to employ the ST-oriented strategies rather than the TT-oriented ones that referred to the employment of the ST-oriented strategy for the whole text. Based on Gricechr('39')s theory, the researcher concluded that the ST-oriented strategies were more effective than the TT-oriented ones and helped the translator to produce comprehensible translations and convey the meaning of implicatures to the target readers.